Showing posts with label Mishkin's. Show all posts
Showing posts with label Mishkin's. Show all posts

Monday, 24 September 2012

Tuttons, Covent Garden

The opulent new interior of Tuttons, designed by Russell Sage Studio
Until fairly recently, Covent Garden was something of a culinary wasteland, its restaurant scene not having kept up with an ever-improving retail landscape. Bar one or two decent places - Joe Allen, Clos Maggiore - options for eating out in WC2 were mostly  limited to terrible tourist traps and what might charitably be called 'better chains'.

Then, within a couple of years, a slew of serious restaurants arrived - among them Opera Tavern, Mishkin's and Dishoom, to name just three - and suddenly Covent Garden became as much a destination for food as for fashion. With them came an influx of more discerning - or at least, more demanding - diners, faced with which the area's older businesses have had to adapt or die.

Tuttons, the landmark 'brasserie round the corner', has chosen the former, its owners throwing a presumably huge cheque at a new interior and revamped menu. The room's undeniably very nice to look at  - the work of Russell Stage Studio, responsible for such recent beauties as Zetter Townhouse and The Balcon - and clearly cost a bomb, all heavy dark wood, chunky mirrors, shiny red banquettes and faux-alligator tabletops. Tuttons' menu reads impressively too, offering modern brasserie staples with a heavy emphasis on British produce - four counties are name-checked in the starters section alone. 

The bar at Tuttons, Covent Garden.
It's a shame then that at least based on my recent visit with Anders, the menu is writing cheques that the food can't cash. A starter of 'Honey-rolled beef carpaccio with veal heart dumplings' had leapt at me off the page and wasn't at all bad, the carpaccio silky, the little offal dumplings rich and peppery, but if the 'honey-rolling' was meant to add a sweet counterpoint then it wasn't there. 

Anders' Dorset crab, saltwater prawns and avocado was of unimpeachable freshness and flavour but suffered from poor presentation, the crustacea lying on forlorn iceberg lettuce and salad leaves that spoke of recent extraction from a bag.

Lacklustre leaves also served to spoil the look of my main course of Buckinghamshire veal wrapped in Parma ham (yes, saltimbocca); no-one wants to see a vast clump of slightly-past-its-prime watercress on their plate. Our waiter actually said, "I'm not going to ask how the veal is because it's amazing, right?" Well, wrong, I had to correct him to his evident disappointment; after a jaw-workout-tough first mouthful it improved in both texture and flavour but 'amazing' it was not. I couldn't detect any anchovy in the lemon and anchovy butter, but a fried duck egg on top and some wonderful crispy sage were nice touches. 

Poor Anders' main course, a cauliflower, leek and Montgomery cheddar bake, was no more than fine; the kind of thing one could easily rustle up at home and disappointing for the only vegetarian main course available.

Tuttons deconstructed Kentish raspberry 'cheesecake'
Plates sat for an age uncleared before we moved on to desserts and any hopes of a climactic high-note were to be in vain. Kentish raspberry cheesecake with biscuit crumb  - that 'biscuit crumb' should have rung alarm bells - was an irritating deconstructed affair, a loose frothy quenelle of 'cheesecake' dropped amidst half a crumbled digestive biscuit, the whole drizzled in a cheap-tasting raspberry sauce. Anders's summer pudding trifle used some good fresh fruit but was otherwise unexciting.

My overall impression - gently rebutted by the duty manager whom I put it to - was that here was a menu that had been conceived with good intentions, by a clearly very passionate chef, but which was being delivered without his supervision by a kitchen that was cutting some corners and lacking finesse. Nothing we ate was actually bad, and some dishes - the crab, the veal after the first few mouthfuls - at least tasted very good. But with prices on a par with Dean Street Townhouse, which has clearly been looked to for inspiration both for decor and menu, the whole operation will have to work a lot harder if Tuttons is to establish itself as serious competition for the area's upstart newcomers.

Tuttons, 11/12 Russell Street, London WC2B 5HZ Tel: 0844 371 2550 http://www.tuttons.com 

I was invited to review Tuttons. 

Tuttons on Urbanspoon

Square Meal
Posted by +Hugh Wright

Monday, 23 January 2012

Mishkin's, WC2

Photos throughout by Paul Winch-Furness www.paulwf.co.uk
For anyone operating a restaurant specialising in the cuisine of a particular country or culture, being considered 'authentic' by experts and ex-pats can be both a blessing and a burden. While a reputation for the truest tapas, realest rendang or most verisimilitudinous Vietnamese usually results in a clamour for tables and healthy profits, get things wrong and your faux French or ersatz Asian will make you the object of every food snob's opprobrium.

Only a restaurateur with the supreme confidence and chutzpah of Russell Norman would dare to open a restaurant as wilfully, joyously inauthentic as Mishkin's, described on its website as
 'a kind-of Jewish deli with cocktails'. Even as I write this, I can't help but wonder if from conception to delivery Norman wasn't chuckling knowingly to himself at the froth some critics would work themselves up into at just how un-kosher the place is, not only in the sense of the food not adhering properly to kashrut  - there's a pork hotdog on the menu for G_d's sake - but also in the liberties it takes with Jewish culinary tradition.

I make no claims to any level of expertise in this area (hell, in any area) so I really can't tell you if the matzo balls are dense (or light) enough, if the salt beef has enough (or too much, or too little) fat, or if the oxtail cholent needs more or less seasoning. But to judge the food 
qua Jewish food is to completely miss the point of Mishkin's, the point made by that all-important 'kind-of': this isn't meant be an authentic Jewish deli, this is Norman's own playful take on one - and oy is it fun.
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