Wednesday, 17 April 2013

Nuremberg - A City Guide

Indelibly associated with the Reichsparteitag - Nuremberg Rallies - and the trials held there after World War II, Nuremberg in 2013 is a city mindful of its sombre role in history but not defined by it. Earlier this year I travelled to Nuremberg as a guest of the city’s bi-annual Fashion Days festival and found a forward-looking city rich with some of Germany’s best museums, delicious food, colourful markets and lively nightlife, making it the perfect destination for a stylish alternative city break.

A (handsome, nearly-shirtless...) model at Fashion Days
A (handsome, nearly-shirtless...) model at Fashion Days
About Fashion Days: A three-day extravaganza taking place in spring and autumn, Fashion Days brings together Nuremberg’s top designer and high street stores as well as labels from further afield for a roster of runway shows, pop-up boutiques, networking and glamorous after-parties. 

Taking a different theme each time - March 2013’s event was cleverly and meticulously styled to pay homage to London’s fashion scene - Fashion Days makes the kind of shows usually only accessible to industry insiders available to all, brilliantly democratising and demystifying fashion without stripping away any of the elegance. 

I fell hard for the edgy street style and pimped tailoring shown by department store WÖHRL’s concept line U-eins and the beautifully-tailored avant-garde collection by CHANG13.

Where to stay: The slick, modern Novina Hotel in the nearby town of Herzogenaurach makes an ideal base for a weekend in Nuremberg. As the official team hotel of German premiership team FC Nuremberg, the Novina has a sports theme throughout, not to mention a well-equipped spa and gym where you may find yourself working out next to a Bavarian Beckham. 

Novina Hotel Herzogenaurach Herzo-Base photo by Hugh Wright
Novina Hotel Herzogenaurach Herzo-Base
The immaculate bedrooms have flatscreen TVs, Nespresso machines and free cabled WLAN internet access; wifi is charged at a reasonable €4,95 per 24 hours. Breakfast is included in the room-rate and is a splendid, ample buffet of regional, continental and cooked dishes.

Herzogenaurach is also home to the massive global headquarters of sportswear Titans adidas and Puma - founded by sibling rivals Adolf (Adi) and Rudolf Dasler respectively - and both companies have factory outlets offering incredible bargains on clothing and footwear. Nike also have an outlet store here - Nike Air sneakers start at about €25 - as does fashion retailer s.Oliver, making this a shoppers’ paradise.

The Dokumentationszentrum at the Nuremberg Rally site. Photo by Hugh Wright
The Dokumentationszentrum
History Lessons: The city of Nuremberg has struck a very intelligent balance with regards to how it marks its unfortunate place in history. 

The structurally-unsound grandstands around the Zeppelinfeld parade ground - including the balcony from which Hitler addressed the hundreds of thousands of Nazi party members massed below - can be freely explored at visitors’ own risk, the city lacking neither the volition nor the €70m required to restore them. The likelihood is that with time they will crumble and disappear - a fitting end one might say. 

Contextual information on the events that took place in the city and how they came about can be found in the admirably dispassionate Dokumentationszentrum, a jagged modern building carved into the former Nazi Congress Hall.

Culture Fix: As the country’s largest museum of cultural history, the Germanisches Nationalmuseum is Germany’s answer to London's V&A. Boasting a delightful, eclectic collection of applied arts, clothing, pottery, furniture and art, the Renaissance and Enlightenment galleries are particularly impressive. The museum is accessed via the incredible Straße der Menschenrechte - Way of Human Rights - lined with thirty pillars each engraved with one of the articles of the European Declaration of Human Rights in a different European language.

An exhibit at the Germanischen Nationalmuseum, Nuremberg. Photo by Hugh Wright
An exhibit at the Germanischen Nationalmuseum.
Time To Eat: Nuremberg is famous for its finger-sized Nürnberger rostbratwurst sausages and the city’s signature snack is drei im weckla, three bratwurst served in a crusty roll. Available on almost every street corner from kiosks for €1,50-€2,50, a drei makes for a tasty bite at any time of day. 
For something more substantial, head for the sensational Bratwurst Röslein just off the main marketplace at Rathausplatz 6. The world’s biggest bratwurst restaurant (so they say, and who am I to argue?) serves huge platters of bratwurst and other Bavarian specialities such as schäufele - roast cured pork shoulder - with dumplings and sauerkraut. Share a platter (prices start at around €15,00 per person) and you won’t need to eat again all day. Or indeed all weekend.

Finally, no visit to Nuremberg would be complete without a kaffee und kuchen stop at city-centre institution Cafe Beer at Breite Gasse 79. It's easy to see why this sprawling cafe-bakery, with its vast selection of mouth-watering cakes, pastries and chocolates, has been in business since 1879.
Bratwurst Roslein. Photo by Hugh Wright
The world’s biggest bratwurst restaurant, Bratwurst Roslein
Something Sweet: Nuremberg is known for its spicy, squishy lebkuchen - delicious gingerbread especially popular at Christmas but available all year round from the main Hauptmarkt and various stores including perhaps the city’s finest, Lebkuchen Schmidt. Plain, iced, chocolate-coated and shaped varieties are all sold here, in plain packaging or beautifully elaborate tins which make perfect gifts. Around Easter-time Schmidt also stock Osterbrot, a tasty traditional fruit-loaf that is Nuremberg’s version of panettone.

Nuremberg by Night: With a population of just over half a million, Nuremberg is a fairly quiet city by night but that’s not to mean there’s no nightlife. The city has a number of lively bars and clubs, the best of them being bijou boite 360 at Adlerstraße 36. This tiny club offers an ever-changing series of DJ nights and live acts; it’s worth booking a table to be sure of getting in. If you can’t, the much larger and more commercial Goija at Bahnhofstraße 11 is a safe bet, albeit one with a rather more pretentious crowd.

When to go: Other than for Fashion Days (of course!) Nuremberg is especially worth visiting at Christmas (for the spectacular Christmas market), at Easter, and in autumn for the Old Town Festival. Host to many cultural, sporting and trade events throughout the year, flights and hotels are often at a premium so it’s advisable to plan well ahead to ensure that you get the best rates for accommodation and travel.

Getting there: Nuremberg is well served by airlines from the UK. Direct flights are available with airberlin, City Jet and budget airline Ryanair; Lufthansa and Swiss also fly to Nuremberg via their hubs in Frankfurt and Zurich. I flew from London City Airport with Swiss via Zurich; two of my favourite airports and my favourite airline (they give you chocolate during landing, what’s not to love?) ensured an easy and very pleasant journey in little over two hours.
I travelled to Nuremberg as a guest of Fashion Days, who provided my travel and accommodation, but none of the businesses or locations mentioned in this guide have paid or otherwise provided any incentive for inclusion.
Posted by +Hugh Wright

Thursday, 11 April 2013

Balthazar

Balthazar London interior
One question often asked of best-TV-series-ever-made Buffy The Vampire Slayer was how the citizens of Sunnydale, a town unusually prone to attack from vampires, demons and the occasional robot, seemingly experienced collective amnesia after each new massacre. Die-hard fans however know that this was neatly explained very early on (Season 1, Episode 2, 'The Harvest') when Giles - Buffy's 'Watcher', or guardian - tells the Scoobies that, "People have a tendency to rationalise what they can and forget what they can't."

So with Giles' advice in mind I am writing this as quickly as possible - the morning after the horror of the night before - so that if, as I truly hope I shall, I forget everything that I can't rationalise about dinner at Balthazar, there will at least remain some record of it to warn others away from this Hellmouth of a restaurant.

Balthazar, a huge brasserie occupying the site of the old Theatre Museum just off the piazza in Covent Garden, is a near-carbon copy of the original Balthazar in New York. Why it was thought that what London really needed in 2013 was its own branch of a restaurant that was very fashionable when it opened in 1997 but nowadays is, by most accounts, strictly one for 'out-of-towners' is beyond me, but so are cooking rice and why people find Ricky Gervais funny - I don't pretend to understand everything.

I certainly don't understand what all the fuss is about the room at Balthazar, or the fabled 'buzz'; you will recognise the decor immediately if you have ever been somewhere like Bofinger in Paris, or Cafe Rouge. I am about the thousandth person now to compare Balthazar to a Cafe Rouge, but the comparison is inevitable when the shared 'I've-been-designed-to-look-like-I've-always-been-here' ersatzness is so stark. As for the 'buzz', fill a cavernous room with people and blast middle-of-the-road jazz over the speakers and of course they'll raise their voices to be heard. You say 'buzz', I say 'racket', tomato, tomato.

The menu at Balthazar, London
Already at our table when I arrived early for our booking, dinner-date Matthew explained that he had fled the adjacent bar because of over-crowding; an unwelcome import from New York is the notion that herding diners cheek-by-jowl into a holding pen before being allowed to have their dinner builds excitement, a theory as flawed as the belief that administering fear-hormone adrenaline to veal calves before slaughter will make the meat taste better.

To the eating. I cannot rationalise how a restaurant jointly operated by Keith McNally - a man who in countless, angst-soaked pre-opening interviews stressed how much of a 'perfectionist' he is - and Caprice Holdings, a company whose restaurants, almost without exception, I love, could allow such mediocre (and in the case of one dish genuinely inedible) food to be served. 

A basket of bread, from Balthazar's own bakery in Waterloo, had been brought thence so slowly or long ago that it was stale and flavourless. My starter of dressed crab was fine, likewise Matthew's chicken liver and foie gras mousse, although presentation was rather forlorn, my crab on a bed of tired lettuce with a tin pot of entirely superfluous Marie Rose sauce, Matthew's mousse a cone plonked on the plate straight from a catering mould. Accompanying red onion confit at least appeared to have been lovingly spooned from the jar.

But the main courses - oh dear, oh God. I ordered whole grilled dorade with Romesco sauce and herb salad, Matthew steak tartare with a side of frites. The fish had been grilled so long that all moisture had been obliterated, and the lemon and herb filling was so over-powering that the dorade tasted - the one mouthful I had before sending it back - as if it had been marinated in Toilet Duck. It was truly horrible, and swiftly changed for a salad Nicoise, which was OK. Matthew's anaemic, undercooked fries, too, had to be replaced and once done properly were far more enjoyable than his meagre portion of dull, dry tartare.

Unsurprisingly, we had no interest in desserts. Nor did we fancy ordering anything from the cheeseboard our waiter presented; would you want to pay £10.50 for brie or roquefort shown to you sweating under their clingfilm wrappers? I thought not. We did at least enjoy the perfectly pleasant mini cookies that came with our coffees. That at first an espresso was served instead of a macchiato came as no surprise; that our bill, for two courses (my replacement for my awful main course was still charged for), coffee, one cocktail, one glass of wine and service came to £92, did.

To give credit where credit is due, our waiter and most of the staff we came into contact with were delightful, but it is humiliating for them and for Balthazar's owners that an army of floor-walking management - from New York, I'm guessing - are trying to train them on the job. If I felt embarrassed that a manager came to the table with our waiter when he was serving our main courses and hissed, "Position 2 for the fish" out of the side of her mouth, how must he have felt? I have heard rumours of a power-struggle between the New York side of the operation and the London team over how things should be done; I didn't expect to see it played out in front of me table-side.

Never before have I left a busy restaurant - and for reasons that cannot have anything to do with the food or atmosphere Balthazar and its veal-truck bar were packed - so inclined to stand at the door and implore people to go somewhere, anywhere else. The Delaunay is just round the corner and doing the grand brasserie thing a thousand times better; hell, Tuttons bang next door is superior by several powers, and that's saying something. 

Would that London were Sunnydale and Buffy could come along and plunge her stake into the heart of this blood-sucking horror of a restaurant; then it would crumble into dust and, not being able to rationalise the sheer dreadfulness of what we had experienced, we could all just forget it had ever happened.

Balthazar, 4-6 Russell Street, London WC2B 5HZ Tel: 020 3301 1155 www.balthazarlondon.com

Balthazar on Urbanspoon


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Posted by +Hugh Wright

Sunday, 31 March 2013

Brasserie Chavot

"I knew you would," a friend replied when I tweeted after dinner about how much I'd loved Brasserie Chavot, "it's very you." And it's true; Eric Chavot's new, eponymous brasserie on Conduit Street is very me, encapsulating pretty much everything I love in a restaurant in one very polished package.

Take the stunner of a room, a long, high-ceilinged space formerly (and briefly) The Gallery at The Westbury, the Mayfair hotel that the restaurant is part of but discrete from. Flatteringly-lit by twinkling chandeliers above a glorious mosaic floor, with a small, chic bar at the front and seafood counter looking onto the kitchen at the back, it's just the kind of room I like, and can't imagine anyone not liking, to eat in; elegant but informal, welcoming and warm.

The menu's right up my street too, the kind that at first glance looks a little 'so what?' because nothing leaps out, until it dawns on you that that's because you'd happily order all of it. There are no alarms and no surprises here, just all your brasserie staples - oysters, parfait, steak tartare - with a couple of modish interlopers like soft-shell crab and ceviche to keep things current.

A party of three - myself and two very elegant femmes d'un certain âge of my acquaintance Lyn and Vicki - we started off with a dozen oysters to share. Advertised as rocks, some appeared to be fines de claires, which I minded a little. If it seems ungrateful of me not to appreciate receiving ostensibly superior oysters to those ordered, let me say in mitigation that I have always preferred the full-on snog-with-tongues of rocks to the refined peck-on-the-cheek of fines de claires, while accepting that there is a time and a place for both. That aside, they were completely delicious and very attractively served, with accompaniments of shallot vinegar in a china oyster shell and crepinette, little patties of peppery veal sausage for crumbling on top. Great value too, at under £2 a piece.

I was a little ambivalent about my starter proper of steak tartare; something of a Tartar when it comes to tartare I was curious to see what 'mustard dressing' might bring to it. The answer was a piquancy - of course - and creaminess that while perfectly pleasant didn't particularly improve on a classic. There was exceptional flavour to the beef mind you (rump from Aubrey Allen, the chef told me later) and it was generous in quantum for £9.50 - Vicki's main course serving at £15 even moreso - although neither size came with anything, no toast, or fries, or salad, which I thought odd.

Lyn's ceviche was unimpeachable, translucent slices of scallops in a beautifully balanced marinade of lime juice and chilli, and we all enjoyed the basket of sourdough bread with its moreish bitter, dark crust. Her main of tiger prawns with chickpeas and chorizo was a hit too, the large prawns split in half and given a smoky char from the Josper grill.

Although I'll admit to having suffered slightly from plate envy, it was quickly dispelled by my own main course of choucroute garnie. Served in a cast-iron casserole dish it was more garnie than choucroute, and none the worse for that, a mini-mountain of pork - belly, back bacon, sausage, shoulder, oh my - concealing a tangle of glossy sauerkraut with a couple of potatoes and carrots thrown in for good measure. In his wonderfully obsessive 1989 essay 'True Choucroute', reproduced in The Man Who Ate Everything, Jeffrey Steingarten calls choucroute garnie 'a dizzying, almost inconceivable gastronomic summit'; I think he'd approve of this rendition.

Only I had room for dessert, a not unusual state of affairs, and my Mont Blanc was a soothingly light end to a rich, comforting meal. Like the steak tartare, this was Eric Chavot's take on a classic rather than a textbook version of it; I liked the replacement of pureed chestnuts with chestnut parfait and the addition of black-cherry sauce, but purists might not. You'd have to be dead inside not to love the presentation though, in a beautiful heavy-based glass bowl.

Choucroute garnie a l'alsacienne at Brasserie Chavot
With a carafe of Rioja for the ladies, a Virgin Mary for me and service, our bill would have come to about £50 a head, had it not transpired when we asked for it that it had completely unexpectedly 'been taken care of'. I couldn't quite work out exactly why, or by whom, but whoever it was I'm very grateful to them. We'd had a really delightful time and that very pleasant surprise was just the icing on the cake.

Brasserie Chavot is not perfect; there is definitely room for tweaking. Service for example was friendly and unhurried, but a used aperitif glass stood empty on the table until late in the meal, and one main course came a little after the others (which was apologised for, but serving everyone at the same time is fairly basic stuff). These might seem petty quibbles, but like a spot of red wine on a brilliant white tablecloth, little things stand out when everything else is so accomplished.

But as my friend had known I would, I liked Brasserie Chavot; I liked it a hell of a lot. I don't see how anyone could fail to. It's a lovely room to eat in, the food's fantastic, it's very good value for money and it helps that the chef is a real character. Go, be seduced, have fun, then tweet about how much you liked it so I can say, "I knew you would."

Brasserie Chavot, 41 Conduit Street, London W1S 2YF Tel: 020 7078 9577 www.brasseriechavot.com

Brasserie Chavot on Urbanspoon

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Posted by +Hugh Wright
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